No. 1 (2019): Dialogues on African Literature, Film and Theatre

Articles

• A Brief Look at the History of Literary Study in Kenya since 1970

  Peter S. O. Amuka (Author)

  1-8

  • pdf

• “I Don’t Believe Anybody Will be so Unlike Other People” Irony and Anxiety about the Nigerian Nation in Chinua Achebe’s “Marriage is a Private Affair”

  Tom Michael Mboya (Author)

  9-18

  • pdf

• Is the ‘Post’ in Postcolonial the ‘Post’ in Postpone? A Reading of Dreams Deferred in Peter Kimani’s Before the Rooster Crows

  Christopher Odhiambo Joseph (Author)

  19-30

  • pdf

• Representations of Ethnicised Violence in Kenya The Case of Kinyanjui Kombani’s The Last Villains of Molo

  Busolo Wegesa (Author)

  31-38

  • pdf

• Resisting Ethnic and Nation - State Patriarchs as an Organizing Principle in Wangari Maathai’s Unbowed: One Woman’s Story

  George Obara Nyandoro (Author)

  39-50

  • pdf

• Self-Determination and Resistance in Adversarial Contexts A Reading of Ngũgĩ Wa Thiong’o’s "Detained: A Writer’s Prison Diary"

  Samuel Ndogo Macharia (Author)

  51-68

• Orality and Sublimation of Repressed Desires The Renaming of Everyday Phenomena by the Luo Women of Kenya

  Akinyi Rose Opondo (Author)

  69-80

  • pdf

• Self-Exile within the Community Athol Fugard’s Psychotherapist Solution to his Characters in his Film Plays "The Guest", "The Occupation" and "Marigolds in August"

  Otieno Tobias Odongo (Author)

  81-90

  • pdf

• Trans-Generational Apartheid Pain in Zwelethu Radebe’s Film "The Hangman"

  Cosmas K. Bii (Author)

  91-96

  • pdf

• Memory, The Return of the Repressed and Healing in John Ruganda’s "The Floods"

  Caroline Sambai (Author)

  97-106

  • pdf

• Navigating the Worlds of John Ruganda’s "The Burdens" and "Black Mamba"

  Evans Odali Mugarizi (Author)

  107-116

  • pdf

• Pre-Texts of Black Intellectual Tradition Some Examples

  Peter Simatei (Author)

  117-122

  • pdf